Images of cover and records courtesy of Killed By Death Records.
Image below courtesy www.clepunk.com.
NOT LONG AGO I WAS BROWSING THROUGH a flea market...
1 hour ago
cle|Å|ve e le 'r Wednesday, January 20, 2010
cle|Å|ve e le 'r
osiris trending ciphers dressed to fork pie
when so sue did her .- I wasn’t there.
a slick yes went .- pass appurged mentions
fell beyond any furniture appeared as “in between”
her fellow traveling had arrived the infamous end unprepared to unleash the machine threatened
as wreaks became time put to pulp pillows.
he wasn’t aware, he also had been invited to be held as fruit table growing hair through eyes
‘spricKst do awK DeutSH’ I celled my nails, but as mentioned we had no chance to meet the deadline
as timelines dumped the scene.
cle|Å|ve e le 'r we so un-sued sueded gesproken
wreaks
wreaks
we named the label by it’s thread
folders tried to capture emotional trends
unfolded senses made good glitter watching the gap playing guitars with one eyelash.
fur operating systems made me comfy dropping my pants spelling the task.
behind the curtain they smiled like cans throwing up the bubble towards the trains.
hammered the drum the speed absorbed my tempo, BPM weren’t of count anymore.
heart covered threshold of explosions at char existence-
repetitions flunked her name.
wouldn’t you know, s/(the twisted matter) of the meaning behind knowledge
i’s see simple eye see only see do we what with thee
snoring doors waiting to enter the room with your opinion NOT
give this young man no signal!
i will die in front of your bed grasping for vegetables watching them cum all, she expelled to me.
as she always was trustworthy to my perception matters, it made me feel guilty- though I had to do it.
for the unrecorded way, to say yes, it was made to become walked by no temper controlled plastic fear
rather through exhibiting the point no; by enthusiasm trended purses being take away for gone.
hairy availables s s stays as treasure of the post scalp becoming her truth
am I depressed again by your matter
al mater
sometimes I spit your food ad absuRdum
lacquer dante we laugh remakeabre abreham
mother & child construction site you stink
father child & also sites stink
smell once the kruid of them 3 had visions, may you please clean the seat.
while eating potatoes and tv spoons remember I hard pressure steel my teeth
come on a high-heel knowledge, don’t spend time, - waste it as youRs!
cle|Å|ve e le 'r
threaten your region beltbuckle nose scanner I care alone,
er I meant I die alone being not funny-
think of the number under your foot it out a spelled the put on chen woe
political art, I heard talking about growth? playing serious, but not the game
it has no mum, what your forehead you call you mean I think nrw zoo come withtakewith
whatever that’s not the circle of terror, it is a toothpick on rage!
but what did I expect? I wasn’t being walking the line been me lining back on hands walks.
illegal donations underpants can’t count on you, when is the time passing seconds?
not even realizing my pen fighting flags of glorious sticks of magick respiration flats
notes spilled the whistle to the wall, chants of color became echoes as mirrors dressed to leave-
they saw you talking a long chat
sitery sitetree psyhfree psycherfy butcher spare free ribbed shirts barberCUE the tape
rewind call phunderella to step on toes while whispering names as telephone signals
,..: I don’t want to tell on you, but last sun you gave me a moon wasn’t like stars do it
cle Å ve e le 'r - undRess Béton by undRess Béton
Dear Interested Friends & Fellow Travelers,
we just closed to this way of submissions!
choose another one
Sincerely,
André Pissoir
gegen jede vernunft - Surrealismus Paris - Prag Friday, January 15, 2010
open letters and shy pens Monday, January 4, 2010
this what that! whoosh flash spy love comes from your eye all over... and you - circle the line through dot draw spends lashes to eyes i's can't compete love and life is all to eat sweet sprung them thy also then i'm ready to fly called through lines the pencil is shy
acretypos #1020 met.4
acretypos #1020 met.4
a glimpse of a keyhole
they pondered through his brainstem
making the vision for anyone near quite damp to navigate the coincidence
noticing the spare matter suppressing the ignition spectral call
dysphemism sudden of impact ran through the nose bleeding unrecorded noise
yes no
he thought this was plausible right now
what could be though as later future was already his past captured by furniture in red nailed foil
as the storms dressed to cover the stellar make up extension
plasma distanced to certainty for the spatial extension to prepare mere solely
of a person's sudden function due to the partly cloudy quantum
there was a usual fix as back up in choice’s environment read by cats in jumpsuits
anton again was conceived by his channel overdrive but the fact was
they would close equilibrium -
the mighty flower trust
-
this meant to of such collectives much of leading to fail
however getting tired
it wasn’t much of interest anymore
since dominating over binary collisions became the typical cylinder electron dress
wearing the velvet skimask for dinner believing to hide his lust wasn’t the truth for them
reaching for the long armed waves voided maximum in current
may there will be left a nude banner
such as became the length through prisms mentioned opinions to a negligible modification method
as this became the face watching forces being expelled like guts of us it passed hydrostatic pressure believes
left was roughly a classical treatment which yields viral collisions like a faun dressed as closet
was there a choice left
was there a moment making the nebula sneeze the opinion of her distance interaction
was there
was it it was
magnitude demonstrates the nifty 2.512 colors to be chosen as life by one
a.m.king this correcting the notice was making it naked during a reel to reel
insomniac newspaper read spam chanting vomit for everyone
at hand this wasn’t a joke
waiting in line a hand touched the scenic scene
sprung feathers lumpy oatmeal was the source of knowledge in tie knot society
captured at step 16 to unlimited strings she freed the memory 0*2
würg
anderé buttøn
¬
undRess Béton
acretypos #1020 Sunday, January 3, 2010
constellations dropped like a hermits eyelash curtains due to technical problems
he would consider this as a fact for depending support beyond kitchen flavors wiping the floor
he noticed there was more desperation passing his underwear
the lacquer of her nails bled as she cut the sight making the dark slide off nights spending their
gods to the words
acretypos made the suggestion fail through manuals
we already had our pockets sewn to the back so fortune wasn’t of any sort those would decipher
the cover
excuse me sometime called suiting my anti.christ.com fortune teller yelling for his dish
spill
Synesthesia: Genesis P-Orridge Tony Oursler Wednesday, December 30, 2009
NOTES
Synesthesia: Genesis P-Orridge
Tony Oursler
1997-2001, 90:29 min, color, sound
Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto Lindsay. These works were originally included as one element of Oursler and Mike Kelley's multimedia installation The Poetics Project. These conversations reveal fascinating insights and anecdotes from some of the most influential figures in the experimental rock and art underground of the 1970s and '80s, from pre-punk innovators to post-punk icons, from industrial and avant-garde music to noise bands and No Wave.
Genesis P-Orridge, performance artist and vocalist for the iconoclastic English industrial band Throbbing Gristle in the late 1970s, pioneered industrial music. P-Orridge, who went on to form the experimental band Psychic TV, continues to work in music, art, and performance in New York, and is undertaking a long-term "Pandrogeny" project involving a radical identity transformation.
Produced by Tony Oursler. Questions: Tony Oursler, Mike Kelley, David West, Linda Post. Camera: Linda Post, Tony Oursler. Editing: Tony Oursler, Elizabeth Kading
Synesthesia: Genesis P-Orridge
Tony Oursler
1997-2001, 90:29 min, color, sound
Tony Oursler's Synesthesia project features interviews with twelve legendary figures in the downtown music, performance and art scenes: John Cale, Thurston Moore, Dan Graham, Genesis P-Orridge, Kim Gordon, Glenn Branca, Laurie Anderson, Tony Conrad, David Byrne, Lydia Lunch, Alan Vega, and Arto Lindsay. These works were originally included as one element of Oursler and Mike Kelley's multimedia installation The Poetics Project. These conversations reveal fascinating insights and anecdotes from some of the most influential figures in the experimental rock and art underground of the 1970s and '80s, from pre-punk innovators to post-punk icons, from industrial and avant-garde music to noise bands and No Wave.
Genesis P-Orridge, performance artist and vocalist for the iconoclastic English industrial band Throbbing Gristle in the late 1970s, pioneered industrial music. P-Orridge, who went on to form the experimental band Psychic TV, continues to work in music, art, and performance in New York, and is undertaking a long-term "Pandrogeny" project involving a radical identity transformation.
Produced by Tony Oursler. Questions: Tony Oursler, Mike Kelley, David West, Linda Post. Camera: Linda Post, Tony Oursler. Editing: Tony Oursler, Elizabeth Kading
André Pissoir (the sass) Tuesday, December 22, 2009
'no need to be seeing
but touching the untouchable makes it worth screaming
which is releasing silence of truth...'
-André Pissoir (the sass)
Don Vague Monday, December 21, 2009
the door again will create the sound
of my soul profound bark as the hound
i came around, round me I and I is dizzy
also a missy sometimes pissy
why not
i am thin as lizzy
rather skinny i can‘t eat
it all smells like some rotten feet
smiles all across miles and more will follow
disgusting the sky as my eye sees none
can‘t sing anymore it‘s all so plain my restless pain
constrain fame is my brain so lame as encoders
will force as i get older some i heard dry out colder¬
'Contemporary Teleportation' by undRess Béton Thursday, December 17, 2009
starting May 2010. a project brought to you by undRess Béton &
canned by thrilled matters
… bothered by misbehave of ball pen terror she became the EANof her motions trending the purse lower stellar behaviors at the shelve right to her left-smothered other mother ‘hurd fly through ash wenty hassle hung’ they mentioned ‘trench’as well, but nobody gave a shit. she flu passed cows evolving signs thinner as BlS’s hairy ones,although lester admired them, it’s funny…Wednesday,
16 December∞JUST TEXT
Saturday,
5 December
phunderella at the door piping gates Tuesday, December 15, 2009
when hunting threshold beyond the minuets obsession
being cumphered by deliq(&)uite somemorawn samowar blistered tongues
passing your special time, -
it's just about to tenfold vomit disguise surrounding your navel control
as one may struggled once, it's particularly a tremendous effort to submit
wormholes beyond a silk dress worn at sideways vanishing self!
Karlheinz Stockhausen
“I view my entire life, my entire work, in such a way as to ask myself: “How, as you become older do you set about integrating everything that has previously happened?” –Karlheinz Stockhausen
André Pissoir On The 'Son Of Doing' & The Last Prestige Thursday, December 10, 2009
'it's not depending on prestige through expressing the matter,
it's the matter of expressing the prestige that we share through act life
and not conserving the prestige as product of compiling
a reservoir which will run dry.'
-André Pissoir On The 'Son Of Doing' & The Last Prestige
A Point In Time Prior To Its Entry Sunday, December 6, 2009
happy biRthday Recordism!
RecoRdism - 25th Anniversary!
Happy 25th Birthday Recordism!
- WilliamPosted at at 12:26 AM on 20091206 by Posted by W.A.Davison | 1 comments | Filed under:
when times were old
times left and we became young
as we died in never of time leap
them got old born past reverse's alder
and the seconds became our dress¬
-André Pissoir on RRism
_LOVE!
André Pissoir on Respect Tuesday, December 1, 2009
*
sprachlos, Worte-
doch diese bekennen die Wahrheit niemals ohne Ton!
Verzeih das Lied meines Leides nicht den Ton zu treffen, ...
wie begehrenswert, die Empfindung, berührt durch Vibration einer Schwelle
die übertreten wurde.
Bekenner der Erkenntniss,
des Verlustes,
übertroffen durch die Wahrheit
deiner Rythmuse erfleht niemals Einhalt zu gebieten weiterzumachen im Rhythmus!
Meister Deiner selbst,- uh, *und er ejakulierte mit Respekt!*
Mein lieber fReund, ich bin Deiner Selbst!
G-E-N-I-U-S ...then spices came humble try-
-André wird Pinkeln
undRess Béton - wwwArt in VIVO / textures Sunday, November 29, 2009
dedicated to the wwwArt in Vivo Exhibition in Brussels,
with Franck Ancel, Undress Béton, Luc Fierens, Fred Forest, Joël Hubaut, Jacques Lennep, Fred Michiels, Benoit Piret, Little Shiva, Gaël Toutain, Thierry Tillier and many more...
Galerie "Les Contemporains"
rue de la Croix, 18 Kruisstraat
Brussels, Belgium
Visible Value - classwar karaoke 0008 Friday, November 20, 2009
colin jon conass
anthony donovan & jaan patterson
fonik
iku turso,
kalinstongue
lezet
murmurists
pixyblink & bryan lewis saunders
noise research
one minute wanda
pas, ruela pinho & babalith band
pixyblink
bryan lewis saunders & nicole bailey
sound inhaler
undress beton
0008 release on 23rd November 2009
untitled
curated by adrian beentjes & anthony donovan
curated by adrian beentjes & anthony donovan
wwwART in VIVO" Sunday, November 15, 2009
wwwART in VIVO"
Franck Ancel, Undress Béton, Luc Fierens, Fred Forest, Joël Hubaut, Jacques Lennep, Fred Michiels, Benoit Piret, Little Shiva, Gaël Toutain, Thierry Tillier.
Vernissage le samedi 28 novembre de 18h30 à minuit
et le dimanche 29 novembre de 14h à 22h.
Saturday november 28 from 6.30 pm to midnight
Sunday november 29 from 2 pm to 10 pm
galerielescontemporains@gmail.com
www.galerielescontemporains.be
0032(0)26405705
Galerie "Les Contemporains"
Street:
rue de la Croix, 18 Kruisstraat
rue de la Croix, 18 Kruisstraat
Brussels, Belgium
The Third discharge Chapbook of 21st Century Poetry Friday, November 13, 2009
The Third Discharge Chapbook of 21st Century Poetry
This chapbook was edited by C.J.Duffy
and is a utilityfishshed/discharge publication
All words are © of the authors - 2009
without further ado, D5 Chapbook II Thursday, November 12, 2009
without further ado, D5 Chapbook II
discharge came about after cocaine jesus had visited a site called Vespertyn, the creation of the girl child genius who was once known as transience. together with doriandra smith (another di- vinity), cocaine jesus set about perverting this concept to a dark vision of his and doriandra's creation. the dark angels of discharge were born. after awhile others came (and went). discharge finished and was replaced by discharge 2 and then discharge 3. and the story continues...
This is the second Chapbook, Edited by Doriandra.
It has no name, only the contents which shriek loudly enough.
Contributors, unwilling or not, include-
Cocaine Jesus, Doriandra, Ruela Pinho, Lazare, Murmurists, DB Rood, DB, Jase, Robert Chrysler, Inconsequential, CHM, Undress Beton, I Am Not Kek-w, Tic Tac, Dodo Spiessert, Junior, Elliot Wisdom, Carmen Racovitza, Cachorro Rabugento Morto Em Noite Chuvosa, Aaron Held.
A solemn nod of the head to all of you listed above and anyone i may have horribly omitted due to space and time restrictions. A dip into the inkwell of lust about what our collective madness will continue to unfold. Yes, indeed.
August 2009 DS
migrane
'many lines were filled with ink,though their life already was spilled to the flooras suddenly she realized them weren't the canvas-he was the blank...'-Lestre von Brukke
commenting the latest thought just got lost... Wednesday, November 11, 2009
subatomic actually, she entangled electron teleported physics violated psyche as well as very hairy particles to where someplace wormholes could photon it to sample your other self since destroyed looks noticed there's unstable passages & fabrics complaining as hole for such as all … 'we didn't receive the time as mentioned' she said.
then don't say it Tuesday, November 10, 2009
Tuesday, November 10, 2009
but we can't always say
we as Bétonized say blushed smiles!
when regrets never catch up we solve poly
then forced via rio to serve colors bleached skies as ejected thunder
un-entschlossen Saturday, November 7, 2009
International Surrealist Declaration for the Imprisoned Serbian Anarchosyndicalists Friday, November 6, 2009
We hereby declare our unconditional solidarity with the five Serbian anarcho-syndicalists who have been imprisoned since September the 4th, facing the charge of “international terrorism.” Tadej Kurep, Ivan Vulović, Sanja Dojkić, Ratibor Trivunac and Nikola Mitrović, all members of Sindikalna konfederacija Anarho-sindikalistička inicijativa (ASI), were arrested some days after an action of solidarity with the Greek activist, and then-hunger striker, Thodoris Iliopoulos. The target of this action was the Greek embassy in Belgrade.
The Serbian authorities used the slight damages caused to the building of the Greek embassy as a pretext in order to exercise their repressive powers, labeling the members of ASI as “terrorist” and detaining them with no substantial evidence of their actual involvement in this so-called crime of damaging the façade of a building. It is not the building, of course, that concerns the Serbian police; neither is it the symbolism, per se, of an attack against the embassy of another state: the real impact of international solidarity and radical politics, with a view towards social emancipation, is what makes them transgress the limits of their supposed democracy, so as to imprison militants through farcical procedures.
Ratibor Trivunac, one of the accused, is a friend of the international surrealist movement. But surrealism is not an exclusive club of personal relations, any more than it is one of mere aesthetic affinities. We consider as our brothers all these five persecuted Serbian militants (and the sixth, Ivan Savic, who was arrested some days later) because their cause, their choice to live and to struggle for another, liberated life, is one that we share. When a state lays its oppressive hand upon one of us, we must all feel the threat to our freedom, we must all take a stand with those who risk being deprived of their elementary freedoms because they are determined to fight, here and now, for real universal freedom.
We demand the immediate release of our five comrades and friends!
The passion for freedom is stronger than any of your prisons!
Athens Surrealist Group:
Grigoris Apostolides, Giannis Golfinopoulos, Manolis Daskalos, Alexandra Halkias, Diamantis Karavolas, Vangelis Koutalis, Sotiris Liontos, Helias Melios, Lefki Mossou, Makis Perdikomatis, Nikos Stabakis, Theoni Tambaki, Marianna Xanthopoulou, Giannis Xourias.
Nicosia: Kostas Reousis.
Leeds Surrealist Group:
Gareth Brown, Stephen J. Clark, Kenneth Cox, Luke Dominey, Jan Drabble, Bill Howe, Caroline Jeffs, Sarah Metcalf, Mike Peters, Peter Overton, Martin Trippett.
Surrealist London Action Group (SLAG):
Paul Cowdell, Merl Fluin, Aniano Henrique, Patrick Hourihan.
Grupo Surrealista de Madrid:
José Arias Taboada, Eugenio Castro, Manuel Crespo, Javier Gálvez, Jesús García Rodríguez, Vicente Gutiérrez Escudero, Bruno Jacobs, Lurdes Martínez, Julio Monteverde, Noé Ortega, Antonio Ramírez, José Manuel Rojo, María Santana y Ángel Zapata.
and its friends:
Sonia Ayerra, Rag Cuter, Andrés Devesa, Jesús González Gómez, Paul Hammond, Inés Mendoza, Emilio Santiago, Leticia Vera and the Anarchist Group Al Margen.
Groupe Surréaliste de Montréal:
Jean-Maurice Brouillet, Dominic Tétrault.
Le Groupe de Paris du mouvement surréaliste:
Michèle Bachelet, Alfredo Fernandes, Jean-Pierre Guillon, Michaël Löwy, Marie-Dominique Massoni, Dominique Paul, Michel Zimbacca.
La Vertèbre et le Rossignol (ville de Québec):
Enrique Lechuga, David Nadeau.
on behalf of Grupo Surrealista del Río de la Plata/Buenos Aires-Montevideo:
Juan Carlos Otaño.
on behalf of Skupina Českých a Slovenských Surrealistů:
Frantisek Dryje, Katerina Pinosova, Bertrand Schmitt, Bruno Solarik.
Surrealistgruppen i Stockholm, Johannes Bergmark.
Sürrealist Eylem Türkiye
Chicago Surrealist Group:
Penelope Rosemont, Paul Garon, Beth Garon, Gale Ahrens, David Roediger, Joseph Jablonski, Joel Williams, Jan Hathaway, Irene Plazewski, Janina Ciezadlo, Renay Kirkman, Tamara L. Smith.
Portland:
Brandon Freels, M.K. Shibek.
The St. Louis Surrealist Group:
Richard Burke, Susan Burke, Andrew Torch, M. M. Morose.
Eric Bragg (www.surrealcoconut.com)
The Serbian authorities used the slight damages caused to the building of the Greek embassy as a pretext in order to exercise their repressive powers, labeling the members of ASI as “terrorist” and detaining them with no substantial evidence of their actual involvement in this so-called crime of damaging the façade of a building. It is not the building, of course, that concerns the Serbian police; neither is it the symbolism, per se, of an attack against the embassy of another state: the real impact of international solidarity and radical politics, with a view towards social emancipation, is what makes them transgress the limits of their supposed democracy, so as to imprison militants through farcical procedures.
Ratibor Trivunac, one of the accused, is a friend of the international surrealist movement. But surrealism is not an exclusive club of personal relations, any more than it is one of mere aesthetic affinities. We consider as our brothers all these five persecuted Serbian militants (and the sixth, Ivan Savic, who was arrested some days later) because their cause, their choice to live and to struggle for another, liberated life, is one that we share. When a state lays its oppressive hand upon one of us, we must all feel the threat to our freedom, we must all take a stand with those who risk being deprived of their elementary freedoms because they are determined to fight, here and now, for real universal freedom.
We demand the immediate release of our five comrades and friends!
The passion for freedom is stronger than any of your prisons!
Athens Surrealist Group:
Grigoris Apostolides, Giannis Golfinopoulos, Manolis Daskalos, Alexandra Halkias, Diamantis Karavolas, Vangelis Koutalis, Sotiris Liontos, Helias Melios, Lefki Mossou, Makis Perdikomatis, Nikos Stabakis, Theoni Tambaki, Marianna Xanthopoulou, Giannis Xourias.
Nicosia: Kostas Reousis.
Leeds Surrealist Group:
Gareth Brown, Stephen J. Clark, Kenneth Cox, Luke Dominey, Jan Drabble, Bill Howe, Caroline Jeffs, Sarah Metcalf, Mike Peters, Peter Overton, Martin Trippett.
Surrealist London Action Group (SLAG):
Paul Cowdell, Merl Fluin, Aniano Henrique, Patrick Hourihan.
Grupo Surrealista de Madrid:
José Arias Taboada, Eugenio Castro, Manuel Crespo, Javier Gálvez, Jesús García Rodríguez, Vicente Gutiérrez Escudero, Bruno Jacobs, Lurdes Martínez, Julio Monteverde, Noé Ortega, Antonio Ramírez, José Manuel Rojo, María Santana y Ángel Zapata.
and its friends:
Sonia Ayerra, Rag Cuter, Andrés Devesa, Jesús González Gómez, Paul Hammond, Inés Mendoza, Emilio Santiago, Leticia Vera and the Anarchist Group Al Margen.
Groupe Surréaliste de Montréal:
Jean-Maurice Brouillet, Dominic Tétrault.
Le Groupe de Paris du mouvement surréaliste:
Michèle Bachelet, Alfredo Fernandes, Jean-Pierre Guillon, Michaël Löwy, Marie-Dominique Massoni, Dominique Paul, Michel Zimbacca.
La Vertèbre et le Rossignol (ville de Québec):
Enrique Lechuga, David Nadeau.
on behalf of Grupo Surrealista del Río de la Plata/Buenos Aires-Montevideo:
Juan Carlos Otaño.
on behalf of Skupina Českých a Slovenských Surrealistů:
Frantisek Dryje, Katerina Pinosova, Bertrand Schmitt, Bruno Solarik.
Surrealistgruppen i Stockholm, Johannes Bergmark.
Sürrealist Eylem Türkiye
Chicago Surrealist Group:
Penelope Rosemont, Paul Garon, Beth Garon, Gale Ahrens, David Roediger, Joseph Jablonski, Joel Williams, Jan Hathaway, Irene Plazewski, Janina Ciezadlo, Renay Kirkman, Tamara L. Smith.
Portland:
Brandon Freels, M.K. Shibek.
The St. Louis Surrealist Group:
Richard Burke, Susan Burke, Andrew Torch, M. M. Morose.
Eric Bragg (www.surrealcoconut.com)
Frankfurt: Jaan Patterson (suRRism)
PIOANOISTS and their poetry matters Saturday, October 31, 2009
PIOANOIST POEM
The Last Word of Bubble Book is its First
And We ARe in/Durst/rial M 305
It is Dissoluted Right
You Implicate the Reverse Sentences
From Right Watch to the Left Watch
Ac/id Be Written in Bar Bar Book
You say Bar Bar like Right Left
Rubberd B.Book
We exploded 13 Baudrillard/Light/Years ago
Cause BBook were wiped from all Monitors
After that we had two Cigarettes in Hand
The Direction was Aurevoire Soirvoire
The Time of You Interpretouse & Tile
Alle Teile sind zersetzt
It was the First Fog
Crowley my Hole
You have to Be Geil
Who made Universe
You know Verse
Imagickal - Imvaginal
Anderé Button
He wanted to Comma
But We got a Point
Pioanoists
Pioano Apres Middle of the Middle
We are Mobile Pro
We can not control Us
But We can control Pro
Pioano Dot your World
Over Authoromaticaly Study of our
PostAnoArtisticContemporary
All Virgin von BisMagistar
Star Safir
Saphier Optima
by Frater Surrallee & undRess Béton for akaša investigation II - suRRism
from Abdul "Ben" Camel Saturday, October 24, 2009
Abdul "Ben" Camel 
Saturday, October 24, 2009
As (Parenthetical) Chemical God
What is meant
By
A Certain Stance on the Composure of these Iconographies
We may never know (we may never know)
Venture me this;
Deserving these brilliant digits of purity (from Aerial Beings-)
Acting as receptor for sound,
As is the verse devoid of meter,
A deafening taste of paradox
Touches the most complete minuet
Within minds ear, overt and minute
Let's begin again.
Utilities of the grand piano strike out
Of their own accord, yea
Neo(n) Antiquities Abounding, Resounding
Let out a scribble as
A process of hearing in healing is lesson appealing
To the Aural Etymology
Inherent in thee
As (Parenthetical) Chemical God
Subscribe to:
Posts (Atom)
